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  • Welcome!
  • About Us
    • Our Team
    • Mentoring
    • Fil-Am History Month
    • Eagle Sanctuary
    • NFT
    • BLOGS
  • Gallery
  • Artists
    • FEATURED ARTISTS
    • Nemiranda
    • Manny Garibay
    • Renato Habulan
    • Carol Tanjutco
    • Lou Scurti
    • Reynan Dingal
  • Portraiture
  • Art Competition
  • Matanglawin
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Renato Habulan
WELCOME

Renato R. Habulan

"All my mentees are conscious of their role as artists. As a story teller, they have to go beyond the beauty and aesthetics that separate them from the bandwagon effect. The lens that they used are wide and multi-focused and showed the context, the historical milieu and more importantly the emotion of the subject."

Find out more

Filipino-American National History Month

Masters Mentoring Series kicked off with virtual discussion and presentation of arts, including landmark paintings, murals and sculptures.

Celebrating Filipino-American National History

Photo Gallery

“Haplit” is about the violence inflicted on the people using a religious analogy. “Supling” here refers to us, children of God.

This painting was part of Magnificat exhibit at Ayala museum in September 8,1985, where Cory Aquino opened the exhibit and announced her candidacy. Morning of that day the Agrava commission cleared General Ver as man behind the assassination of Ninoy Aquino.


renato Habulan

Bulang Alon, 2004

Renato Habulan

Drawing from Life D.2.03 

The juxtaposition is damning, as the feudal system brought
here by the Spanish, has lashed much suffering at farmers and land tillers, the ordinary men and women that Jesus beseeched his followers to love and serve.


Renato Habulan


Drawing from Life D.1.03

As we spend resources in outward manifestations of piety, the least of brethren, as represented by Christ, are treated with indignity.


Renato Habulan

Daloy P.1.02

It’s also interesting to see how the familial, in the context of the exhibition, also defines identity. How powerful is art as a bond between the senior Habulan and his son and son-in- law? Quoted from Habulan Exhibit "Ama, Anak"

Eskinita Art Gallery, 2018


Renato Habulan

Daloy P .2.02 

In imbibing the knowledge from Ato Habulan, how do Guerrero and Geladuga address anxiety of influence in forging their own artist paths? Habulan asserts that identity, once chosen, becomes destiny.


Livestream

Follow us to watch our regular livestreams. This clip is from our Fourth of July Matanglawin Awards 2020

Papelismo: Pen & Ink Drawings

Renato Habulan

Santelmo Series D.49.16

For Habulan, a staunch Social Realist, identity is the confrontation between the local and the global, between the pre-colonial and the post-colonial, between the East and the West. 

Reanto habulan

Boceto # D.38.14 (A,B)  These two layers of identity nest onto each other in the single body (which can also be extended to society, the body politic) of a host, which has religious connotations as a symbol of Jesus Christ. 

renato habulan

Boceto # D.44.15 Kupot Series  

renato habulan

Boceto 39.15 A 

While the outside is affirmatively Catholic (religion, after all, was the cross that accompanied the sword in the subjugation of our country), the inside remains faithfully pre-Hispanic.


Renato Habulan

Boceto D.38.15 B

In his monochromatic works of boceto (pen and ink drawings), we see the bulul ensconced on torsos wearing characteristic liturgical vestments.


Renato Habulan
INTERVIEW

Why paint en Plein Air?

Sit down with Mang Ato in one of his mentoring classes, and immediately you will feel good about being an artist doing your own craft, with conviction to achieve your own identity. In this video, he encouraged plein air painting  to feel the romanticism of art, and enjoy it as a family activity... 

Find out more
  • Welcome!
  • Mentoring
  • Fil-Am History Month
  • Eagle Sanctuary
  • NFT
  • BLOGS
  • Gallery
  • Nemiranda
  • Manny Garibay
  • Renato Habulan
  • Carol Tanjutco
  • Lou Scurti
  • Reynan Dingal
  • Portraiture
  • Art Competition
  • Matanglawin
  • Gallery Shop
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